This is a great story hook, a believable and very sympathetic character and an interesting lettering/ word balloon technique.
Potentially a juicy little mystery but sadly it is given away on the third page. With some restructuring this could have drawn the suspense out for longer. But it ends up more of a crime documentary albeit with a strong ending.
If you are going to borrow, then borrow from the best, and Hitchcock’s Rear Window is just that. The real meat of the story comes as it ends with the narrator telling us about “…the secret army of criminals sanctioned by the Justice Dept to ply their trade.”
For a single issue story this causes a lot of fuss. Once again we see the return of Dredd’s racism against those of Far Eastern descent. Obviously you expect Perps to show such behaviour as it is a shortcut to telling you they are the bad guys. A technique slightly better than making them have a black hat or a disability. But Dredd is famously neutral in his treatment of all criminals and citizens. How does calling people Charlie Chan as a denigration reflect this? If it is revealed later that Dredd has some bias about a particular ethnic group this would make an interesting story but I suspect that won’t be the case.