A good story that reinforces the harshness of Mega-city law and Dredd’s keen senses. It quickly turns into an espionage thriller and sees the return of the Sov Judges, who are still stereotypes. There are some wacky names such as Judge Waldo and the Sov Judge Molotov who only exists to make a joke about a cocktail. We do see the Black Atlantic for the first time.
This week’s Cause célèbre is animal rights. Wagner puts his own twist on things but stamps down hard on any kind of discussion with a clearly black hatted villain and Dredd making our moral choice for us. Perfect for a fascist police state n’est-ce pas?
This is uncredited and probably justly so as although there are plenty of Dredd elements, such as Walter and Max Normal, the whole thing lacks any kind of sparkle. Dredd utters nonsense about how synthetic caffeine is illegal and Max Normal speaks far too normally.
The premise of a suicide arcade where people risk their lives against deadly slot machines was done better as “You Bet Your Life” in Prog 25. This has a longer page count than usual but doesn’t do anything notable with it.
A slightly longer, Mega-city in peril, story that Wagner excels at. Some 20th century fun poking, a bit of politics, a quirky antagonist and 70’s disaster movie riff. All enjoyable stuff.
The character of little Ralphy is an interesting one and maybe shares emotions with 2000AD’s young readership. You do wonder if Wagner was told to make Dredd appear more human or have him show more empathy as this and the earlier Vienna story both have him acting uncharacteristically paternally.
A stimulating sci-fi concept and a good hook but the tiny page count means that there isn’t enough depth for the whole thing to hang together. The relationships between the criminals aren’t satisfactorily explained weakening the whole plot.
Having Walter narrate this piece is an unusual choice but seems to work in a Dr Watson sort of way. As well as allowing us to go back in time gives opportunity for commentary and humour at Dredd’s actions. But the whole thing is about the gag at the end.
These are two stories that take place in similar locations but other than Dredd share no characters. Why they were linked is a mystery.
The first is basically a big chase scene but with an insightful twist and comment about living in a police state.
The second is a similar warning about unemployment. No doubt a dig at the UK government of the day.